Tune: Victory, composed by Giovanni Pierluigi da Palestrina (c.1525-1594) and adapted by William Henry Monk (1823 1889). The Strife Is O’er The Battle Done : Recording. Ut exhiberet convivium in pruno jam placenta cum in campum properaret, vos satus opus ad coniungere magna vitrum aqua, non faciens fructum et baca aut pistoria nitrum cum pondus (I s. Finita Jam Sunt Proelia translated as The Strife Is O’er The Battle Done by Francis Pott (1832-1909). Sed inde non sequitur, quod sit insipidum. In my opinion, these (and their like) should, for any Catholic musician working in a primarily vernacular milieu, function in the same way as the Kernlieder of the Reformation function in a Lutheran context, anchors and guides for the assembly’s song. Hic est panis de adiunctis auxiliis repente adire domus. Hark! A Thrilling Voice ( En Clara Vox) MERTONĬhrist the Lord is Risen Today, Christians Haste. Sing, My Tongue ( Pange lingua ) ST THOMAS and PICARDY Instances (1 - 1 of 1) Hinário para o Culto Cristão 142. ![]() All texts published with FINITA JAM SUNT PRAELIA top. ![]() Holy God, We Praise Thy Name ( Te Deum) GROSSER GOTT FINITA JAM SUNT PRAELIA: Composer: James Minchin: Key: D Major top. Meter: 888 with Alleluia The Strife Is O’er : Recording. Hail, Holy Queen ( Salve Regina) SALVE REGINA CAELITUMīe Joyful, Mary ( Regina Caeli) REGINA CAELI JUBILAīlessed Feasts of Blessed Martyrs ( O Beata beatorum) IN BABILONE Finita Jam Sunt Proelia translated as The Strife Is O’er The Battle Done by Francis Pott (1832-1909). These have always seemed to me especially appropriate for liturgical use in certain contexts.Ĭome, Holy Ghost ( Veni Creator) LAMBILLOTTEĪll Glory, Laud, and Honor ( Gloria, Laus, et Honor) ST THEODULPH Help me, if you please, compile a list of commonly sung ( plus minusve) English vernacular hymns, preferably with a characteristic tune that is *not* the plainsong, that are actually translations or close paraphrases of sung texts native to the Roman Rite.
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